Bleep

In the wake of the immeasurable success of ‘We Must Become The Pitiless Censors Of Ourselves’, John Maus reveals a dense collection of rare and previously unreleased material. Much in the same vein as his most recent LP, there are generous moments of minimalist synth-pop with classic humour-laden Maus vocals, as well as some of Maus’ most exceptional work – the driving rambunctious pop of ‘Molly (No Name)’ and the crystalline 80s sound of ‘Bennington’.