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Legendary industrial pioneer Maurizio Bianchi joins forces with Abdul Mogard for a special 12” comprised of one long-form piece from each musician per side. Bianchi serves up ‘desiccated harmonic structures and warped greyscale tones’, true to form as always with a distinctly unique compositional take. On the other side, Mogard presents a recording from the legendary EMS studios in Stockholm. Delicate organ strokes and modular synth bliss weave intricate patterns across sixteen minutes, an easy-to-get-lost-in slice of sonic abstraction bound to appeal to fans of Terry Riley et al.