Bleep

Powell unleashes a scathing slice of electronic brutality from Philip Best, Sarah Froelich and Russell Haswell's Consumer Electronics project on his ever-reliable Diagonal imprint. On the A-side cut ‘Murder The Masses’, Philip Best launches into a haunting, bitter diatribe delivered through gritted teeth over a dry kick drum and piercing melodies that slowly creep into the mix. Flipping over onto ‘Alien Existence’, Best shifts his biting focus onto sexual politics, heightened by Sarah Froelich’s deadpan echo and the damaging, detrital electronic cacophony provided by the venerable Haswell.