Bleep

Eight albums in, Swedish pop auteur Molly Nilsson can’t seem to stop seeing signs everywhere. Twenty Twenty - on the face of it, a steadfast continuation of her fuzzed-out, reverb-adorned project - took root when Nilsson, stranded by a cancelled flight in Tokyo Airport, found herself surrounded by advertisements for the 2020 Olympics, all laden with vague omens. Haunted by global crises of today and the near future, Twenty Twenty is as searching as it is immediate.