Bleep

Cameron Deas ditches his guitar and joins the Death of Rave roster for this mesmerising excursion into modular synth territories and general eccentric electronic practices. 100% electronically sourced sound design with references to computer music and Max/MSP experiments as well as to the early days of tape music and concrete. Yes, it’s a little academic and wall-of-noisey but fans of the INA GRM approach and indeed any Merzbow/Cut Hands/PAN enthusiasts would do well to give this one a listen. At times Deas conjures up the sonic equivalent of being stung by a million bees, at times he hits full on peak time club lysergia.