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Label boss James Ginzburg gives a guide to Subtext
Yair Elazar Glotman's latest project sees him marry electro accoustic and trap music, and the offspring are five dimensional.
Everytime I listen to this I get pretty teary, as much because of the naked simplicity and beauty it teases out of a hybrid of religious music, technology and natural processes, as it is seeing someone achieve something they were moving towards for years.
Eric recorded this underwater in a Fjord, and it captures the bittersweet loneliness and peace of the experience.
Microscopic contrabass recordings that reveal the hidden voices of the instrument.
Recorded in a decommissioned nuclear power station as part of a commission from Tate Britain.
This is from Roly Porter's first solo LP Aftertime. We started Subtext up after 6 years of stasis after I heard this.
A selection from Cevdet's soundtrack to the film Abluka, which won the special prize at the venice film festival last year.
This is the first track that paul and I did that captured something that became the essence of emptyset, it accidentally came out more like thunder than techno.
A live recording done in the early days of the label, at an event we put on in a church in Bristol. Also the first time emptyset ever played live.