Bleep

Shaken free from any constraints of “club music” the music of Whatever The Weather takes on its own forms, moving in and out like the tides across its tidy runtime. Put together under this new alias, Loraine James explores a more freeform approach.

Leader of the punk-rap awakening, Wu-Lu pulls inspiration from personal hardship and the underrepresented on his latest for Warp entitled 'LOGGERHEAD'.

Using her characteristically eclectic musical style, Björk folds in different influences and styles on Fossora. Amidst earthy bass clarinets and tender thematic explorations into her ancestry are vigorous gabber eruptions of “biological techno".

Where his interests spread from electronica revivalism to nostalgic takes on ambient and braindance in the past, ITSAME absolutely sprawls with seventeen tracks that were given the space to be reshaped and inspired by events during composing.

Raime joine Valentina Magaletti with sparse alternative rock palettes with electronic manipulations. Paste cements Moin as exhilarating innovators.

Eschewing the typical Bristol sounds in favour of darker, post-rock excursions, SCALPING fold in aesthetics from techno, EBM, post-punk, and noise to create their own sound.

Across a legendary career spanning five decades, Horace Andy has undeniably earned a place as one of reggae’s most undersung chameleons. Midnight Rocker is unmistakably the work of Andy’s devoted fans as much as it is a late-career highlight.

Debut solo album recorded in collaboration with Peter Rehberg, Bucked Up Space was inspired in large part by the vibrational feeling she has experienced performing live in clubs and galleries in the UK and around the world.

Drawing on latin and sci-fi influences creating her own experimental sonic soundworld, ¡Ay! is a stunning work from a singular artist.

Far from a concept album in the traditional sense, Two Sisters is instead another demarcation of her continued mastery of composition, albeit one intertwined with a movie that speaks a kindred language.