Along with the image of Cliff - the little chap with the gun who became Stereolab’s semi-official mascot - Emperor Tomato Ketchup is probably the thing that defines the band in the popular consciousness. A critical success upon impact, the 1996 record ended up in many ‘best of the decade’ lists a few years later - not bad when you consider the competition. If you took a straw poll among fans of Stereolab as to what their best album was there’s a good chance that Emperor Tomato Ketchup would come out on top.

Of course the main reason that Emperor Tomato Ketchup remains so beloved is that it’s full of fantastic tracks. Stereolab were a singular band, the sort who made music only they could make. Any other group trying to blend influences from Krautrock, grunge, bossa-nova, mid-Century French chansons and whatever else they fancied at the time would have fallen flat on their face, but Tim Gane and Laetitia Sadier’s gang make it sound like the most natural thing in the world. As such, Emperor Tomato Ketchup acts as a missing link between the pioneering work of Can and Neu! and the experimental gains groups like Animal Collective would make a few years down the line.

Duophonic and Warp are currently issuing extended sets of several of Stereolab’s studio full-lengths. They’ve done another fine job with the expanded edition of Emperor Tomato Ketchup - along with the original thirteen tunes we are also treated to a plethora of demos here as well as bonus cut ‘Old Lungs’ and the original mixes of ‘Noise Of Carpet’ and ‘Percolator’. As with all of the other expanded editions in the series, Emperor Tomato Ketchup has been remastered from the original tapes. A poster, Tim Gane’s liner notes and clear vinyl pressings are in store for those who purchase the LP version.

Stereolab’s seminal fourth album Emperor Tomato Ketchup is given a fittingly grand reissue by Duophonic and Warp.

Regarded by many people to be their masterpiece, 1997's much-loved Dots And Loops saw "the groop" embrace new recording techniques and a wider palette of influences to produce an expansive, experimental but eminently listenable piece of work that has more than withstood the test of time.

Recorded partly in Chicago by John McEntire of Tortoise, and partly in Düsseldorf with Mouse On Mars, the band expanded their motorik rhythms to take in elements of bossa nova, ye-ye, jazz fusion and the sample-based approach of contemporary hip-hop. On release it was embraced far beyond the band's traditional alternative music orbit, sitting easily in the racks alongside records produced by Timbaland and the Neptunes, with Pharrell Williams from the latter crew expressing his love for the band on numerous occasions. That cultural crossover has continued, with the use of "Parsec" in a Volkswagen Bettle commercial, Laetitia Sadier's collaboration with Tyler The Creator and Frank Ocean, and the recent use of "The Flower Called Nowhere" in a key scene from the Atlanta TV show.

Reissued in 2019 alongside other key Stereolab studio albums, this expanded edition was remastered from the original tapes by Tim Gane at Calyx in Berlin, bringing out revelatory nuances and sonic heft in the multi-layered arrangements. This very special album really has never sounded better. A whole extra disc of bonus material has been added, taking in instrumental cuts, early demos, and key rarities such as "Off-On", only previously released in Japan. A fold-out poster contains liner notes from the band, with all 3 LPs housed in a high quality gatefold sleeve with a protective PVC outer. Warp and the band's own Duophonic UHF Disks label pulled out all the stops for this, a fitting testament to a modern classic.