Bleep

Having engineered LPs since 1997 at Berlin’s Dubplates & Mastering, it was always a given that one day Rashad Becker might put out material of his own. This mammoth album is it, divided into ‘Dances’ (zapping white noise, razor sharp and crazy as a ship’s cat) and ‘Themes’ (demented, drawn out analogue landscapes). If you want a career cutting landmark albums these are the frequencies you need to hear in your head.