Bleep

Following on from the first Rrose excursion into stark analogue minimalism comes the next instalment, a similarly acerbic two-track mutant. 'Shepherd's Brine' is a spinning blade of electron-charged danger, oscillating and swinging on top of the deepest of driving bass lines. 'Waterfall' meanwhile, is similarly charged-up and full of static noise, sounding like heavy machinery cutting its way through a razor-sharp slab of metal. Quite the experience.