Bleep

Where some see glitches as a result of failure, Nat Ćmiel finds a sense of identity. The Singapore-born, London-based artist has avoided sonic pigeonholing as yeule, rendering a hazy space between ethereal dream pop, industrial noise, and ambient experimenting. On Glitch Princess, Ćmiel has never sounded more at home in the haze, pulling from experiences with sobriety to craft an album that meshes and distorts genres like a digitally manipulated fever dream. At times, Glitch Princess dances a fine line between gleeful fluidity and a deluge of competing ideas, but there’s always beauty to be found in yeule’s glitchy kingdom.