Bleep

In a typically irreverent move, founding father of so-called ‘dark ambient’ Lustmord and unconventional classical-electroacoustic composer Nicolas Horvarth re-consider the foundational work of Dennis Johnson. November, written for solo piano in 1959, impacted the limitless potential of minimalism; Lustmord and Horvarth excavate the piece for The Fall, a distant-yet-spiritually-connected, post-industrial resonance of the original, where every struck key and every ambient swell feels like a world-changing event.