Bleep

Montreal producer Jesse Futerman answers the question, how would 1980s avant-pop era Ryuichi Sakamoto sound being fed through an Ibiza chill-out filter? This is precisely what ‘Luckey’ invokes; an incredulously sunny slice of bongo-assisted modern funk goodness driven by ice cool synths. A melancholy cello appears for the beat-less breakdown, and still, you can’t help but nod your head in affirmation at the ascendant vocal reams of the track's extra-special guest, legendary synth composer Beverly Glenn-Copeland. Peaking Lights heads up the remix on side B, where the rhythm is cranked and Glenn-Copeland is pushed front and centre.