Bleep

Scottish producer Neil McDonald records a distinctive set of dancefloor gear and ambient drifters for the label offshoot of Tim Sweeney’s much-loved radio show. The club tracks on the A-side were first created for an ADE performance and Dekmantel podcast. They are from the direct end of McDonald’s armoury, but still ooze grace and improvisational ingenuity. The title track opens the B-side with a stunning waterfall of synth notes, teeing up another, more serene ambient piece in ‘Sisters’. Both were written for a special performance of Lord Of The Isles-style, concert hall sophistication at the Sydney Opera House.