Bleep

With an origin story that’s as confounding as his music, the combined influences fed into Nathan Jenkins aka Bullion’s Heaven Is Over spans time and landmass. Having crafted a slew of emotive, technically-stupendous outsider alt-pop tunes on Deek Recordings and The Trilogy Tapes whilst engaging with the nightlife of London and Portugal, as well as celebrating his unsung heroes on his NTS radio show, Jenkins possesses a world-weary maturity on Heaven Is Over. Tracks like ‘Thirty Two’ and ‘Yawn’ show a steadfast dedication to groove across synthesised funk and Cocteau Twins-esque guitar ethereality, demonstrating Jenkins’ developing pop sensibilities.