Bleep

Phone-in competitions, ad jingles for chicken shops, and heaps of tape hiss amid bump-backs and lost jungle bangers; Death Is Not The End’s entry into the Blowing Up The Workshop mixtape project is two tape sides of cut-and-paste audio from Bristol’s pirate radio heyday, between the late 1980s and the early 2000s. Part-experiment, part-memory piece, Bristol Pirates is a vital document of the city’s defiant counterculture.