Teresa Winter’s latest album combines the politically defiant energy of Cosey Fanni Tutti with the sexually transgressive nature of Marquis De Sade’s writings. To soundtrack her content, Winter adopts an eclectic choice of ambient, electronica and acid-house, which she experiments with interchangeably. Inspired by a nightmare about her boyfriend murdering her and hiding the body under their bed, Winter’s album retains the dreamlike aspects of her inspiration while refusing to shy away from the brutality of its content.