Heavyweight clash

Experimental free improvisation from musician and poet Rupert Clervaux

Superb pyschout techno

New track from Bleep favourite Konx-om-Pax

Lena Raine’s Oneknowing is a quietly impressive debut from an artist who is from an otherworldly world.

Music From The Edge Of An Island exists between states - land and sea, synthetic and organic, true and false.

On his new LP Agora, guitarist and composer Fennesz has expertly balanced silence and noise to create a beautiful ambient opus.

The slightly wounded tone that has always been part of Gibbon’s arsenal works perfectly when paired with the sombre beauty of Górecki’s composition.

A Joy O remix that blends dub techno with influences from gqom and township funk.

A track that reinvigorates and reinvents experimental pop music while also breaking down stylistic, regional and cultural barriers.

While the focus is on experimental electronic composition, the tracks here never sacrifice dancefloor impact even as they splice their beats apart.

A song that transcends jazz through the group's elegant orchestrations and electronics

Across this record we find Triad God half-rapping, half-speaking (and occasionally singing) his lyrics over productions from long-time ally Palmistry,

One-third founder of the crucial NON Worldwide label alongside Chino Amobi and Nkisi, Angel-Ho arrives on Hyperdub with her absolutely first-class new album Death Becomes Her.

Warp presents Love In The Time Of Lexapro, the new EP from Oneohtrix Point Never.

Lee Gamble operates the gears of some properly sleek LDN soaked jungle ambience and the haunted hallucinations of 313 electro.

The highly anticipated soundtrack from the Radiohead frontman and solo artist in his own right, Thom Yorke. Suspiria executes a knife-edged mix of instrumental score work alongside more traditional song structures written specifically for Luca Guadagnino’s reimagining of the 1977 Dario Argento horror classic.

DJ ready tools, excavating a sick set of warehouse ready tracks for your mind, body and soul...

Bruce channels a proper future focus to his beats that is unmistakably influenced by techno, yet throughout the consistent icy sound palette, he infuses a colour and human warmth at the heat of it all

This is an album that builds on the neo-soul lineage of artists like D’Angelo and Lauryn Hill by combining classic tropes of the genre with sounds drawn from various areas of contemporary rap.

Connan is back in our daily listening lives, bringing a softly spoken edginess that really, is all just harmless fun.

A new project from Gold Panda and Jas Shaw of Simian Mobile Disco.

A pitch-perfect new beat/EBM-techno workout.

It's a stunningly delicate affair that takes the influence of Jazz, Soul, RnB and Funk and reimagines them within the modern day city streets of London one.

Vibrant, otherworldly rhythms and sounds.

This is music as a capsule to absorb yourself within for days on end.

Beak> are one of the true innovative electronic groups operating in the present and guiding us toward the future.

Slowed down funk tracks that rotate around a chopped and screwed destination.

Fully fired up, within the abstract, effervescent, yet psychedelic electronic sounds.

All hail the "The Duke Of Rave and The God of Electronic Music"

Clear-cut vision of house shot through the studio and sequencer of Marquis Hawkes.

Intricate and fully forward-focused dance machinations.

Exploring the grey area between the sludgy tape delays and bass and grainy heavy work of Andy Stott and Grouper's drone research.

Nazamba unleashes a fully fired up dose of dread dub poetry with Vex, spat over a one shot to the head riddim from the shadowy G36, an anarcho-dub collective from Nagasaki, Japan.

Mysterious, made in England and boasting original flavour, Refreshers debuts with one of the most delicious jungle 12"s we've heard in a long long time.

Hypnotising yet cutting throughout, Qualm is like a nightmarish vision of the day to day ambience of the Kowloon walled city that is created after dark.

Trust us, Devotion is a properly present, future and all-time classic album in the making.

Detritus preterit selections continues down the path that the New York producer began to tread on 2017’s bleeds colors and puddles.

Oozes with a super slick yet properly solid weight that just begs to be played on a properly big rig.

The perfect soundtrack to long train rides through the city and the key head-turning moments in your favourite DJ's next set.

'Trance 1' (a piece now officially released globally thanks to fan demand) which originally appeared as a Japan-only bonus track.

A solid mixture of GAIKA’s distinct vocal style that wraps itself around some of the sharpest dancehall to U.S. trap and into hip-hop beats that are as sparse as they are sparring.

Natureboy Flako moves deeper into the realms of experimental electronic fusion.

DJ Stingray's Molto Allegro Mix of XAllegroX, the legendary Drexciyan DJ and producer in his own right plunges Lorenzo's Roland JP-8000 riffs into subzero waters, freezing and rebuilding them into a killer aquatic-dub.

Visceral vocal talent and chatta, demonstrating a true skill, integrity

Near-industrial clubscapes.

Rich and detailed pieces of synthetic ambience full of pretty trills and textures.

BASIC VOLUME is the most striking and clear viewpoint into his compellingly unique paradox of paranoid dancehall.

They cross some seriously catchy bars with a perfect loop on the crunchy highlight 'Never Say Never’ pure attitude recorded in a way that has you wheeling up the track time and time again.

Sort of the best trap via hip-hop and soul mixtape mashup you could dream of discovering.

TIME II THINK' blends the classic UKG peak time reach with the leftfield hardcore of Parris and FFT.

Sonic futurism from the council estate.

Downtempo acid trance, drum computers and late 90s production methods converge with the songs of indigenous peoples of the Arnhem Land.

Resembles the sound of a swarm of raging wasps trying to escape from a hoover.

A track dedicated to Martyn's close friend Marcus Intalex (RIP) who passed away in May 2017, leaving a big hole in both drum & bass and techno.

Warm, sprawling synthesisers wrap themselves around our peripheral as we travel through the grandeur of old Moscow as told by MIDI technologies.

An existential experiment with saxophones that's set to take you on a journey that is as widely thrilling as it is deeply searching.

Pop music that sits perfectly on the radar of nationwide mainstream radio appeal yet turns it on its head by smuggling in some very rubbery and experimental latex clad ideas of what makes commercial pop music something for people to fetishise to the nth degree.

Nordic Flora Series has given us some of the years most futuristic sounds, beamed in from the future or the nearest airport's Wi-Fi.

Super obscure aboriginal jazz works from Alanis Obomsawin.

Euphorically uplifting as it is trance-inducing.

Filter Bubbles’ is hypnotic and propulsive due to its carefully accented grooves.

Tadd Mullinix unveils his latest project X-Altera

By tapping into this source of influence soil is sure to win over audiences both above and underground.

Age Of, Oneohtrix Point Never's latest chronicle arrives from the far future to advance all forms of RNB, black metal, electronica and chamber sounds.

Grime, juke, jungle and footwork are still dominant influences in the PF sound, and tunes like ‘Dopamine’ are Murlo-esque assaults that will whip dances into frenzies.

Airy, spacious and vaguely trap and road rap tracks.

The Return is both a true step forward for the sound that Yussef Kamaal were progenitors of, yet also opens the door wide for us and everyone else following in his footsteps to step through and experience one of the most exciting musical movements London has had in years.

‘Spells’ sounds like the best top 10 pop hit you’ve never heard.

Ways of Seeing is another excellent transmission of library music recreated for meandering minds.

Dreaming perfectly sets the tone with his trumpet notes morphing themselves like liquid around the free rotation rhythms, harvesting an equinox of dream theory jazz.

It is a testament to Lattimore’s compositional nous that these new instruments are incorporated tastefully, moving in and around her harp playing with delicacy.

A departure from that classic 90s sound, Instantapart is an amalgamation of different genres including contemporary scenes such as Footwork.

Sun-kissed, psychedelic neo-soul jams which find a sweet spot between Connan Mockasin and J Dilla.

The resulting album expresses itself as a dynamic 50-piece orchestra, telling a story in sound, one that we are sure fans of the group are going to become very familiar with, resulting in what is being described as their most inventive album to date, Dimensional People.

Sae Heum Han that navigates musique concrete informed sound design, spectral piano scores and cinematic approaches to composition.

Glimpses of a future-proofed prediction for the following decade's forays into 2 step, dubstep, grime and footwork.

Dreaming perfectly sets the tone with his trumpet notes morphing themselves like liquid around the free rotation rhythms, harvesting an equinox of dream theory jazz.

A collection of far-reachng glitch experiments a la Alva Noto or late 90s IDM mixed with abstract, hip-hop tempo tracks .

Immaculately composed 70s funk regression session of liquid library sounds, minimal guitar melodies and blood drums that weave in and out of themselves to form an autobahn soundtrack as multi-tiered in layers as it is rich with swirling exotica textures.

A shapeshifting mixture that spans battered drum machine funk, doomy and thrashing rock, and psychedelic disco.

Typically dusty yet totally banging, signature sounds from Delroy Edwards.

Bokeh Versions continue to smash it with this first ever widely available dub from TNT Roots / proper 8-bar+8-bit grime/jungle dub weaponry right here!

A brilliant lesson in radiophonic hauntology from the industrial pioneer.

Fog rolls in with a half tempo steppers vibe that mirrors the finest moments from The Bug's Angels & Devils and London Zoo albums, yet hits a perfect moment of balance with Burial's hollowed out and haunted 2-step night land visions.

An otherworldly discovery that will continue to offer many rewards each time its played many moons yet to come.

Each world slowly begins to reveal itself as a sort of modern classical meditation, with moments of clarity drifting in and out, such as the cold shiver, eyes wide glare of Come Let Us which features an incredibly vivid Gregory Whitehead vocal.

Lanark Artefax who fresh from causing near instant sell out havoc with his latest Whities dub, rips up Arisen My Senses and reshapes into something resembling his still killer UIQ 12"s aqua-tech skyline.

Killer, energetic electro jams from the heart of Accra, Ghana featuring children’s vocals and samples of honking car horns.

Psychedelic beat science pushed even further outward and into new areas of experimentation.

Rolling sci-fi breaks and clattering sci-fi stardom synths adorn the space station dread filled atmosphere.