Economy of Freedom moves along with all the sludgy heaviness of a thousand broken hearts, offering a kaleidoscopic union of classic songwriting and lobotomized sound experiments.

Tirzah and Coby Sey draw out an intimate downtempo love-song pining for Devotion, all the while perfectly blurring the edges of grime, pop and RNB.

cherubim is a masterclass in how to make modern R&B/gospel that is as cutting-edge and club-ready, as it is sharply tantalising when unleashed in the live arena.

On Argo (For Maggie) Vessel melts his frosted dubwise sound into a cauldron of chamber music, a sublime change of scene/sound brought about in collaboration with a violinist and singer Olivia Chaney.

Poder do Vento is a peak time super sharpshooter from the Principe don, taking on tribal trance, farside footwork, ecstatic electro and gut-wrenching grime in his formidable style.

Not only the best track title from Equiknoxx, Enter A Raffle... Win A Falafel is also a tightly wound dancehall floor filler/killer of the highest portion.

While it summons up by the acid flashback of the Analord series, 1st 44 sees AFX collapsing footwork into one of the years darkest, dankest and upmost dancefloor heavy bangers.

Skee Mask shows once again that he is king of the ambient jungle. With the breaks fighting their way through a blizzard of heavy snowfall drones, Soundboy Ext. is the perfect dose of the end of the night serotonin drenched melancholy.

A heady mix of syncopated UKG riddims, jazz-savvy deep house and a healthy helping of mashed up post-club zone out electro. Call Super's No Wonder We Go Under is the musical equivalent of his head squashing DJ sets.

Leon Vynehall cooks up his finest dub house atmospheres before dissolving them into a jazzy blend with Movements (Chapter III), proving that you don’t need a dancefloor to let yourself get lost in music.