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Bleep Mix #175 - Body Meat

  1. Bleep Mix #175 - Body Meat

    Bleep Mix #175 - Body Meat

Christopher Taylor’s latest EP as Body Meat represents the next level of the Philadelphia-based multi-instrumentalist's bold vision for hyper-active music, as indebted to pop and R&B as it is to footwork and trap. Taylor offers a handy recipe for his singular speciality with his exclusive Bleep mix, laying out some surprisingly distinct ingredients. Sicko Mobb’s autotune-soaked ‘Boogee’ checks out as one of Taylor’s favourites, whereas hits of Luther Vandross, Marvin Gaye bring an unexpectedly vintage, slow-release flavour to the table. Discos Príncipe and DJ Rashad selections counteract the smoothness with earth-shaking freneticism.

"A short inspirational list of music that I return to often" - Christopher Taylor

Tracklist

  1. DJ Nunex, DJ Famifox - Intro Ludhiana
  2. Burundi Musiques Traditionnelles - Salutation Akazene
    3.Tye Tribbett - GA Live 
  3. Sicko Mobb- Boogee
    5.Los Samplers - Nocaut (Descarga Rumba)
  4. Luther Vandross - The Closer I Get to You (feat. Beyonce)
  5. Mel. B Akwen - BELLA
  6. DJ Fulltono - mY mIND bEATS vOL.11.nOT eVERYTHING tO (bOOTY tUNE)
  7. David Puryear - Live on 6th st. 
  8. Drake - Hotline Bling
  9. Cabo Boing - Swirl Up
  10. Joe Hisaishi - One Summer's Day
  11. DJ Nigga Fox - Hwwambo
  12. Marvin Gaye - Flyin High In The Friendly Sky
  13. Xavier Omar, Sango - The Risk
  14. Maggi Payne - Gamelan
  15. Deantoni Parks - Bombay
  16. Ian Isiah - Bougie Heart
  17. Black Noi$e - Glitch (feat. Duendita)
  18. DJ Rashad - From The Start
  19. Dawn Of Midi - Atlas
  20. 454 - LATE NIGHT 
  21. DJ Lycox - So Quero Pesos
  • Artist
    Body Meat
    ReleaseProduct
    Year of the Orc
    Label
    Body Meat
    Catalogue Number
    BodyMeat4
    Release Date
    6 April 2021

    Philadelphia-based multi-instrumentalist and producer Christopher Taylor aka Body Meat might be a relative newcomer to the mangled pop electronics game, but there’s a world-weary melancholia in Year of the Orc despite the fact it comes across as a bombastic record. Just when the industrial swagger makes opening track ‘Twigs’ feel like a dark space to occupy, Taylor’s auto-tuned vocal pushes his sound into a sweeter, sunnier space. There’s a modern trap edge to the likes of ‘4700’ and ‘ULTIMA’, sounding like a Future cut sent through a threshing machine — until the ambient, singer-songwriter glow of ‘Ghost’, which features none other than Laraaji, sends things into a different realm completely.

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